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JungBong Choi characterizes Japan''s §introduction of digital broadcasting as a political, §cultural and economic endeavor orchestrated by the §Japanese state and other para-state institutions. In §so doing the author employs a concept §of "digitalization," as opposed to digitization, §defined as a social, institutional, and discursive §making of digital television. With the analytic §framework established, the author observes how§the identity of television in Japan was renewed as §an apparatus conducive to the acceleration of §an informational capitalism. An innovative study in §the political economy of media, the book brings to §light ways in which digital technologies are §engineered as a key device for socio-economic §reordering. A stimulating appraisal of the §contemorary state, furthermore, it offers a §perspective on the progressive conflation between §state and market, technology and institution, and §cultural discourse and economic planning.